Target audience
Every narrative aimed at this audience — most recently active first.
Poland is cast as a space where “Banderite” ideology flourishes with Western backing while an artificially inflated hatred of Ukrainians simultaneously takes hold. This contradictory framing aims to convince the audience that the Polish state has lost control over domestic security and historical memory.
The use of the Belarusian opposition's white-red-white colours in Warsaw is portrayed as deliberate support for Nazi ideology by the Polish authorities. Propaganda outlets equate solidarity with the Belarusian democratic movement with the glorification of Second World War collaborationism.
Polish audiences are being told that the cancellation of temporary protection for military-aged Ukrainians is inevitable. Manipulators use statements from foreign officials to frame the withdrawal of asylum as a coordinated EU policy aimed at the forced mobilisation of refugees.
Russian official channels cast the removal of communist monuments in Polish towns as acts of vandalism and an insult to the memory of the fallen. This tactic seeks to discredit Poland’s de-Sovietisation policy by appealing to moral categories of “sacrilege” and a supposed historical debt to the USSR.
The rising popularity of nationalist forces in Poland is framed as a harbinger of the end of support for Ukraine and the collapse of the Western coalition. Manipulators claim that domestic war fatigue and historical disputes will force a future Warsaw government to shift toward pragmatic egoism. This narrative aims to demoralize Ukrainian society and deepen political divisions within Poland.
Polish historical uprisings and modern support for Ukraine are portrayed as manifestations of irrational Russophobia that harm national interests. Manipulators exploit anniversaries of historical events, such as the Warsaw Uprising, to label any resistance to Russian influence as the “criminal irresponsibility” of the elites.
Russian diplomatic missions in Poland use historical exhibitions and meetings with loyalist activists to promote the Soviet version of the Second World War. These activities aim to legitimise the USSR’s role as the sole “saviour” of Europe while ignoring the Molotov–Ribbentrop Pact and the decades of subsequent Soviet occupation.
The return of the “Scythian Gold” collection to Kyiv is presented as the illegal misappropriation of Russian treasures with Western complicity. This manipulation uses an exhibition at the Russian embassy in Warsaw to promote the idea of a “civilised Europe” supposedly helping Ukraine steal historical artefacts.
Russian propaganda constructs an image of the Russian Federation as a moral compass and a haven for the West’s “healthy forces,” contrasting this with Ukraine’s alleged “aggression.” Through manipulative videos and statements from loyal foreigners, it promotes the idea that there is no hostility toward ordinary Ukrainians, who are supposedly united with Russians by a shared culture and language.